Massimo Farao Trio – How My Heart Sings (2018, SACD-ISO) – Venus
Released as a ballad-oriented trio session recorded in January 2017 at Azzurra Studio, Massimo Farao Trio – How My Heart Sings (2018, SACD-ISO) – Venus has a sound that rewards careful listening. Its most revealing qualities are found in piano harmonics, vocal-like phrasing and room depth, where small changes in a playback system can alter the sense of scale, texture and presence. The result is a record with genuine value in an audiophile collection.
TRACK LIST
- LabelVenus
- CountryJapan
- Release date2018
- GenreJazz
- FormatSACD-ISO 2ch& Flac 16bit/44.1kHz
Sound Quality
From an audio perspective, the important quality here is balance. Piano harmonics, vocal-like phrasing and room depth A transparent system should reveal attack, decay and small changes in level without making the recording sound clinical. Listen for stable centre images, believable depth and clean separation when several instruments occupy the same frequency range. These qualities make the disc more revealing than a simple first impression might suggest.
Audiophile Listening Experience
This is the kind of release that benefits from familiar reference levels. Use Charade to establish the basic tonal and spatial picture, then move to How My Heart Sings to hear how the system handles greater complexity. Listen first for the direct sound, then for what remains around it: reverberation, air, low-level ambience and the decay of notes. Those details help distinguish genuine resolution from a presentation that merely sounds brighter or louder.
Reference Tracks
Reference Tracks: Start with Charade; How My Heart Sings; Chelsea Bridge; Come Sunday. Together they provide a practical check of piano harmonics, vocal-like phrasing and room depth. Pay attention to the transition between strong attacks and decaying notes, and to whether voices or instruments remain anchored in believable positions rather than drifting as the arrangement changes.
Audiophile Verdict
Massimo Farao Trio – How My Heart Sings (2018, SACD-ISO) – Venus earns its place in a reference collection through its combination of piano harmonics, vocal-like phrasing and room depth. It may not be designed as a laboratory test disc, but its musical context makes the evaluation more meaningful: the listener can hear technical differences while still engaging with the performance itself.
It is also worth listening at moderate levels before turning the volume up. At a sensible level, tonal relationships and spatial cues become easier to judge, while louder playback can sometimes exaggerate bass or treble and hide the more subtle information that makes a recording genuinely useful.
